Every week both before and after I run a session of Undeadwood Weird West RPG, I work on the book. It has been a truly enriching and enjoyable experience taking so much time to build up a game, and fine tune it. I now have 6 months of playtesting under the belt, too, and I will very soon be ready to both update them development podcast, and release the full version of the game.
It will come bundled with a VTT-ready 3D map of the sample adventure, a form-fillable character sheet, and a couple of other extras to make sure I am giving people a great head start with the game.
If you are interested, there is a preview version of available on Drive-Thru RPG at the moment. That will eventually be updated to serve as a quick start kit for the game.
One of the biggest joys in building Undeadwood has been the way I have been hunting for art to fill the manual. I have been pouring over pulp magazines dating from the 1870s through to the 1950s to find images to integrate into the manual. Because of it, I feel that I have created a very visually pleasing book.
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Uncredited cover from Spicy Western Stories,
A Western Pulp that ran 1936-1942 |
I wanted to share with you all the method I use for finding the art I am using in undeadwood so that you can use it to find artwork for your own role-playing game materials.
Now, there is a caveat to this. I am working within the framework of Canadian copyright law. It is a slightly more restrictive form of copyright law than many countries have, but also less constrained than American copyright law. Check your own local laws before you proceed.
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| Magazine cover by Rudolph Zirm (1894-1952) |
In Canada, a work of art falls into the public domain 50 years after the artist's death if they died before 1973. After 1973 we updated the laws so that the work does not pass into the public domain until 70 years after the Creator's death. This means that currently, anyone who passed on before 1972 has had their work enter the public domain. Anyone who died in 1973 or later will not have their work enter the public domain until the 2040s.
If a work is uncredited it passes into the public domain 75 years after the date of publication.
Music and video recordings are not included in this: they enter the public domain 90 years after publication, meaning any recording after 1935 is still not available in the public domain in Canada.
In order to find large color pieces, I started by looking for exciting pulp covers. Thankfully, there is an amazing blog that publishes nothing but on a daily basis: pulpcovers.com. Every piece of art is well tagged, and if the artist is known it will be mentioned in the tags or in the comments below the piece.
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Uncredited magazine cover for Western Short Stories
Which was in syndication from 1936-1957 |
Another option is to simply download a pile of pulp magazines to scour for images you like. Archive.org has a vast pulp magazine archive. To be on the safe side, I don't download any from earlier than 1950 for that purpose.
If the artist is known, the next trick is to go to pulpartists.com and check the biography of the artist. Out of respect, I tend to do my homework on the artist in their life. It's always good to know a little more, and it feels less like a ghoulish activity.
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| Interior magazine art by James McKell (1884-1956) |
Magazines from before 1936 often didn't publish the artist's name anywhere in the magazine. And before the 1950s they often only credited the cover artist and none of the interior art. It pays to look up the staff artists for magazines of that era to do your own due diligence. If the artwork is signed, it's not considered anonymous even if the magazine does not present a clear signature for you to work with. (Google lens is very helpful for hunting down signatures) Some artists can be quite hard to pin down; either because they use pseudonyms, or were very private people.
Most of them are somewhat easier. If they aren't featured in pulpartists.com, certain Arts auction sites or newspaper archives can be very helpful.
Once you feel safe that the artist is in the public domain, it pays to look at any other art of theirs available on the internet. And to look at magazines where they were frequently featured artists. It may give you a larger selection to work with. As pulpcovers.com tags by artist, this can be very useful for finding a selection of art you like. I absolutely fell in love with the art of Albin Henning, and was very fortunate to find almost four dozen of his pieces on the internet and in archived PDFs of pulp magazines.
Now, the photostats of pulp magazines are rarely good quality, and often have a great deal of print on them. Especially in work published after 1930-40 or so, where book design trends had changed. pulps from the 1920s and earlier tend to have better separation of texted image.
If your image is in a PDF rather than being simply a downloadable image, you may need to use the print screen button on your keyboard to collect a copy of the image at the highest zoom you can manage.
This is where Photoshop or GIMP can be very handy. I recommend looking up tutorials on repairing images, as it would be hard to provide a good tutorial here.
Once I got this method down it was easy for me to find hundreds of excellent, thematically appropriate art for my projects, and I thought it might be a helpful tool for the rest of my amateur designers.
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