Review: The Lost Dungeons of Tonisborg

The Lost Dungeons of Tonisborg
Cover Art by Ken Fletcher

Authors: Greg Svenny, Griffith Morgan,  & D.H. Boggs
Publisher: The Fellowship of the Thing Ltd.
Game Engine: OSR Compatible 
Marketplace: Limited Kickstarter Release

 Back when he was researching the movie the secrets of Blackmoor, Griffith Morgan was lucky enough to interview a number of the players and DMs who ran the first handful of Dungeon crawling campaigns from the Twin Cities wargaming clubs. During his interview with David Megarry, Megarry Presented him with a mystery dungeon map. While it was clearly not the work of Dave Arneson, it had the signature sharp angles and broad hallways of the early Twin Cities dungeon maps. As the Fellowship of the Thing team did more research on the mystery map, they discovered that it was in fact the map of the dungeon beneath the Castle of Tonisborg by Greg Svenson.

This dungeon had been used during an early play test of Dungeons & Dragons, and may well have been the 2nd dungeon crawl created after Arneson's Blackmoor. The island and city of Tonis were even canonically a part of Arneson's world of Blackmoor. 

The dungeon itself was thought to be lost: its creator, Greg's Svenson, had lost the original dungeon map and notes when a cleaning lady had assumed that they were wastepaper and tossed them out. He had forgotten that he had given a Photocopy to Megarry (who had moved away) months earlier. This was in a box along with some of the original playtest materials for the game that would be later released as Dungeons & Dragons.

When the Secrets of Blackmoor was kickstarted, a limited series of ornately-bound books in ethically sourced paper were offered as one of the higher-tier backer rewards. Only around four hundred of the books were made as a collector's curiosity.

A few months ago I got into a Twitter conversation with Griffith Morgan about the book, and how I wished that there was a commercially available copy. It looks like an amazing text, but collectors were already reselling at $300+.I asked him if it was possible to have a paperback version made, a sentiment that was echoed by a number of other RPG commentators on Twitter.

In the fall, of 2022, the Fellowship of the Thing production company Kickstarted a limited-run paperback version listed as The Lost Dungeons of Tonisborg, and as I led the charge of OSR bloggers,  designers, and commentators  in requesting the book be made, I would be a complete asshole if I didn't review it.

And I got a hell of a lot more than I expected.

Shadow Over Sojenka Relfections

 I have been playing various OSR games with Stephen Smith, a true gaming mad scientist for three years now, and as we are coming up on a close to his second campaign, which ran for over 100 sessions, I wanted to describe the mad experiment he ended up running in the campaign he called Shadow Over Sojenka.

Unlike a few of the other articles you might read, mine is no "postmortem"; I am still playing in Sojenka. I have an ancient evil to stop, and a town to build. I hope to be playing in Sojenka for another year, or preferably, many more.

First off, compliments to the chef: Stephen doesn't do traditional Western Fantasy. He starts with a setting that takes you further afield. The first setting we ran was a mix of post-apocalyptic and late Byzantine Empire with a zombie apocalypse going on in the background. This latest campaign was set in a culture built heavily on Slavic myth and culture in the Early Modern period. In both cases he creates rich, weird elements such as unique monsters, magic items, and spells that make certain you are always meeting something unexpected.

Second, each campaign has been a science lab. Stephen is trying to hack his way into experiencing a version of D&D that is closer to its wargame origins... and a rich campaign that requires a little front-loading, but otherwise took very little effort on the GM's part once play commenced. Some of his experiments have been absolutely fascinating to take part in.

With Shadow Over Sojenka, Stephen was inspired by The Lost Dungeons of Tonisborg to try to capture the essence of what Dungeons & Dragons must have been like when it was being run as a series of experiments by the war gaming societies in Wisconsin around 1973. Including trying to reverse-engineer some elements of play that disappeared as TTRPG culture evolved to become its own thing separate from wargaming in the early '80s.

Game: Review: Blueholme

Author: Michael Thomas

Publisher: Dreamscape Design

System: OSR (B/X) Compatible 

Marketplace (Prentice): DrivethruRPG,

Marketplace (Journeymanne): DrivethruRPG, Lulu

A few months ago Stephen Smith put his World of Wierth campaign on indefinite hiatus, because he was inspired by the Lost Dungeons of Tonisborg and it's many articles on the original play style during the testing phase of the development of Dungeons & Dragons. Mixed with patron play and one-to-one time, he was hoping to create an experience that feels like the player driven, intrigue riddled version of Dungeons & Dragons described therein. There was a catch, however: he didn't want his other players to require The Lost Dungeon of Tonisborg to play. In fact, he desperately wanted them not to have access to the book at all. 

Which, of course, meant that he needed a different set of rules that players could use. He wanted something as close as he could possibly get to the TAZ rules from Tonisborg without copying anything from the book. After looking through a dozen or so retroclones, he decided that Blueholme was the closest to the extremely light and simple feel of that rule set. And so, I have been playing for several months in a campaign that uses both The Prentice and Journeymanne rules for Blueholme.

The Blueholme Prentice Rules imitates the structure of the original Holmes Basic Dungeons & Dragons manual. It provides only enough rules to play from levels 1 to 3. Everything about Blueholme Prentice Rules is an homage to the original Holmes basic, and where possible, is even simpler. It embraces the idea that light rules and a format that encourages rulings instead of rules is a superior form of play.

Blueholme Journeymanne Rules are their own interpretation of what Cook's Expert Dungeons & Dragons rules might have looked like if they had been designed by Holmes with that same eye to simplicity and universality. The rules cover characters from 1st level to 20th.

Normally when I review a role-playing game, iI read the rules, and then I solo play a test designed to help me understand most of the unusual rules mechanics and systems. 

This one is a little different because I I'm coming from it from the position someone who has been playing the game in an almost-RAW format for nearly 6 months.

What I'm Up To

 I'm sure it has been missed by no one that I have been having trouble finding time for this blog. And it's anniversary has just rolled past. So I wanted to take some time to let you know what has been keeping me busy, as it is mostly RPG-adjacent.

Gaming!

Death in Space

I'm coming up on one year of an intense campaign in Death in Space. My players have managed to survive long enough to salvage a handful of functional ships, hired a crew of salvage and mining experts and built a network of laser communication satellites; they are trying to become a force for hope in the Tenebris system.

The game started as a one-shot pallette cleanser, and just kept going. So I didn't start posting play reports until it is too late.

The Weirth Campaign 

I've also been participating in a long-running campaign run by Stephen Smith that attempts to reconstruct the early 1970s Wargaming D&D experience. We've shifted systems a couple of times, including playing awhile using the 1973 D&D play test rules that were recreated in The Lost Dungeons of Tonisborg, fueled with and eventually replaced by Blueholme, and after a few years shifting to a highly home-brewed iteration of Tales of Argosa.

This game uses domain rules that start for fighters at level 2, one-to-one time, patron players, mass combat played in Chainmail and other retro wargames, and a ton of classic modules including the aforementioned Tonisborg, The Tower of Xenopus, Keep on the Borderlands, The Isle of Dread, Temple of Elemental Evil, Empire of the East, Mask of Nyarlathotep, Into the Depths of the Earth, Veins of the Earth, Please Go to Sleep Arthur Cobblesworth, Sounds of the Mushroom Kingdom, and Against the Cult of the Reptile God among others.

Home Game

My home game with family has had a couple of false starts, but I just brought a satisfying end to a DCC RPG campaign and am setting up a game in AD&D.

I've also been playing a solo game in Grok?! 2e, amplified by Mythic Game Master Emulator.

Summer Game

Every year in the Summer I try to run six sessions of a classic OSR game with family, friends, and my favorite D&D people. This year I am vacillating between PARANOIA SP1 or running Operation Unfathomable and Odious Uplands in Swords & Wizardry.

Podcasting 

Two years ago, I founded an audio production company, Stormhead Productions, with terrible timing. The Descript AI changed audio production overnight about the same time I started my business. I was putting up a freelance profile on Upwork the exact same time that the going rate for that work were cut in half and the available jobs shrank by two thirds.

Why I Don't Often Review Modules (Trying Something New)

 You know, I've built up a pretty big stock of adventure modules over the last few years. Thanks to Humble Bundle, Bundle of Holding, Itch.io jams, and that absolutely bodacious sale Jim Raggi put on last year, I probably have enough to keep me in review content for years without breaking a sweat or spending another dime.

The fact is though, I only discuss modules for the most part when they also do something interesting mechanically or culturally:

The Hill Cantons Quartet had the incredible Chaos Index tool, weird monsters and a sense of humor that made it a joy to play. It was the quartet of creations that put The Hydra Cooperative on everyone's map.

Sailors on the Starless Sea helped redefine a genre and set the unique tone of the most popular OSR game ever made.

Cha'alt and its companions have an innovative game woven into its pages, and tons of mechanics for things like mutations, capricious gods, and a totally different way of approaching magic. Not to mention being a prime example of gonzo style play.

Islands of the Purple Haunted Putrescence for its sheer scope as a hexcrawl, and willingness to toss genre an pop culture into a  lender and set it to frappé. 

Into the Demon Idol is a favorite example of a one-page dungeon.

Frostbitten & Mutilated with its dice scatter tables, clever handling of time travel, dark and twisted character classes, and serving as a prime example of the unique design principles of Lamentations of the Flame Princess. 

Hot Springs Island a massive, stylish  system-neutral hexcrawl that exemplifies setting design, and has a truly amazing way of presenting NPCs.

The Ultraviolet Grasslands and the Black City, is a book that is beautiful and supremely imaginitive. It takes the concept of the pilgrimage and makes it into a rich and surreal experience.

Arête is a great example of mythic D&D at its best. And I used it to experiment in solo play.

DNGN Issue #1 was an interesting experiment in presentation. 

The Winds of Madness was sent to me by a reader and was an absolutely stunning romp through the Far Plane with Githyanki and Spelljammer ships that did a better job of the Spelljammer setting than WotC did. It is also a great case study in the differences between the way adventures are designed in OSR and 5e cultures.

The Abandoned Estate of Moonweaver Hall I reviewed mostly because I wanted to encourage a first-time writer who was being dogpiked by asshokes on Twitter who didn't  care for his cover. I  thought a little honest feedback might help him out and keep him from being driven out by cancel-culture asses.

Each review was there because the module was an exemplar, a talking point, or a tool for developing my ideas, as much as it was a review of the product itself. I wanted to explore something that the specific setting had to offer.

I also have played most of them. Some of them twice.

My collection, which includes around forty DCC RPG adventures, a dozen Lamentations of the Flame Princess modules, a modest collection of classic D&D adventures, a shocking number of Blue Rose books, the Alpha Blue THOT trilogy, most of the early Necrotic Gnome OSE modules, Rappan Athuk, Highfell, The Lost Dungeons of Tonisborg, Nevin Pendlebrook's Perilous Pantry, Warhammer Fantasy RPG 1e's Enemy Within series pretty much the entire 1st and early 2nd edition PARANOIA libraries is brimming with adventures good, bad, and extremely weird. I have a lot of thoughts I could share on almost all of them.

But I really hesitate to do so. For a simple reason:

There's just too many ways to use them.

I have run quite a few modules over the years exactly as written. Others, I have stolen the map and a few treasure hoards, or maybe I grab some useful mechanical ideas, monsters, or traps. How you use your module will make some modules more valuable than others. If you are looking for a traditional campaign to run, Hot Springs Island, The Temple of Elemental Evil (especially combined with the Giants and Underdark series) are probably the best bets. If you want to run a long game that doesn't fit that traditional mold, you might be better off considering The Ultaviolet Grasslands and Black City or Cha'alt. If you are just looking for a few good ideas to pillage, the Hill Cantons quartet is a fertile ground for plunder. If you want a very finite game that will liast seven sessions or so, A Red and Pleasant Land or The Islands of Purple Haunted Putrescence are great. Need some ideas for your PCs after they took a sip from a hag's cauldron? Grab Narcosa or Sounds of the Mushroom Kingdom. Need something you can run right now? The One Page Dungeon Compendium or almost any level-appropriate DCC module will do the job. Looking for good fodder for a solo crawl? Rappan Athuk, all the way!

I can definitely give a good factual rundown of a module's properties and major strengths and weaknesses. But I am not sure it would make for interesting reading.

Honestly, the best way to review modules is probbaly something like the best way of reviewing movies: you need to cultivate a persona that grabs one audience, and then  recommend books to that audience. Bryce Lynch over at 10ft. Pole, for example has perfected the angry, disaffected GenX DM who just wants to run the game, not spend all day planning shit. His audience are GMs who want to run something without tweaks, as written, and not spend their time or energy on something unless it has a twist.

Which isn't me. I love prep. A module has to be really special for me to want to run it "as is" out of the box. I'd do it again for Hot Springs Island or Highfell, and one day I would love to run Ultraviolet Grasslands and the Black City. But, on a whole, I want to plunder a  module for good ideas. 

Often I want something I can put somewhere on my sandbox after modifying it to suit my needs, like I did for Into the Demon Idol in my article on how to use one-page dungeons. This may well be my favorite way to use modules. And because of it, I suspect that adventures that would be poorly reviewed on 10ft, Pole as humdrum or underdeveloped might receieve a kinder review here. And some of the modules he finds interesting hold little appeal to me, as they are not really compatible with my style of play.

There is another issue as well:

While Modules are fun to read, collect, and plunder, I prefer to home-brew.

Modules are a frippery. You don't need them. Most of the ones I have collected, I have done so purely because I am a fan of the module, or I am curious about the module after seeing it teased out on a YouTube channel like Questing Beast. Or it is in a bundle along with a game that I really want to review.

At the end of the day, if you want to be the best GM possible, learning to plan efficiently is one of the most important skills you can hone.

But...

As I have thought long and hard on this topic lately, I find myself wondering: would my sandbox-play and rules-hacking approach be valuable if I started adding more modules to my rotation?

Or could I develop a more casual structure to share my thoughts on some of the cool modules in my collection that doesn't take me ages to write as I do when reviewing a game? It bears some experiementation...

Over the month, I am going to compose a few different styles of short article to discuss some of my favourite modules. I hope one of them might land with my readers. Please let me know when one does.

Making Best Use of Downtime

Many of my players don't like downtime. They want a fast-paced adventure where they know danger is around every corner. They prefer the kind of pacing that you see in modern Dungeons & Dragons play. Downtime for them is like a montage. And for many years, because I know my audience, that was how I played. Downtime only existed between acts or when the PCs decided to- and the unfolding events allowed them to- take a break.

The Evolution of Timekeeping Advice in D&D

As a kid, I missed reading the 1st edition Advanced Dungeons & Dragons Dungeon Master's Guide, I missed out on its advice for keeping time and running the game (I went from playing with the Mentzer "red box" Basic Dungeons & Dragons to using Mentzer Dungeon Master's Rulebook and the AD&D Player's Handbook, to using AD&D2nd edition. Thus, I missed the best resource ever written on running a D&D campaign. The AD&D2e Dungeon Master's Guide buried its advice a somewhat in favour of optional rules and setting design, and skipped some of the best options. Bu the time they decided to expand it in DMGR1: The Campaign Sourcebook and Catacombs Guide, the developers at TSR had very much moved away from Gygax. Here is the meat of their description of how to manage pacing of a campaign in DMGR1:

Using AI Art for TTRPGs

So here's a controversal topic that will annoy the Hell out of some of my readers.

Recently I have run across several controversies over the use of AI artwork in TTRPGs. One was over a module that I reviewed where the creator used AI-generated Art on a cover and was positively brigaded for it.

Another was my recent review of the OSR game Beneath the Sunken Catacombs. I rarely go a month before I see absolute mayhem explode from some quarter of Twitter or another about someone using AI art in their product. Selling a TTRPG product that includes AI Art is guaranteed to draw backlash.

How We Lost Faction Play, and Why it is Valuable

 When I was a kid, I taught myself to play Dungeons & Dragons from the Red Box. I have a lot of praise for the design of the Mentzer Basic set: It was the first version of Dungeons & Dragons with a really clear how-to play guide, as well as two introductory adventures played solo in a way that was pretty familiar to a Choose Your Own Adventure addict like me. Castle Mistemere was a pretty clever design as well, giving you the first floor of the dungeon, a map of the second, and mostly a question mark for the third, it eased the Dungeon Master into learning how to play their role; perhaps not as well as Keep on the Borderland, had but it gave you a more methodical approach. 

There was one way adventure with Aleena at the beginning of the book was deeply flawed, however. As a tutorial it was great, even as a piece of fiction it was pretty good. You got attached to Aleena, and then her death broke your heart, especially if you were 6 year old boy at the time...

...But, it also set up the idea that you were going to be playing the hero in a high fantasy narrative. You had an evil sorcerer, on the run, and, if you carried on with the PC you started with, were hunting them. You had a friend to avenge. Castle Mistemere reinforced that by suggesting that Bargle will be placed somewhere in the lower levels of the dungeon as a mastermind. 

This is great Dungeons & Dragons; don't get me wrong. But, unlike Keep in the Borderland, you don't start as a mercenary looking for a quick score. Nor do you start as an escaped prisoner, or a castaway. From the beginning, the introductory adventure and castle Mistemere create the kind of plot are that we now associate with the kind of ""trad" play that was soon thereafter refined by Tracy Hickman in Ravenloft and the Dragonlance saga. In other words, it was a heroic journey,  not a sandbox adventure,

Game Review: Beneath the Sunken Catacombs

Author: Paul Bantock
Publisher: Self Published
Engine: OSR-Compatible
Marketplace: DrivethruRPG, Amazon 

I recently spotted Beneath the Sunken Catacombs in my Amazon Recommendations. Its marketing promised a game that wasn't a retroclone, but instead was a fresh take on the original 1970s gaming experience with some modern and innovative touches with regard to classes and magic.

Beneath the Sunken Catacombs is sold at near cost for $10 (C) on Amazon.ca, and is PWYW on DTPRG as a PDF.

It uses a Modlvay B/X D&D base, and at first glance it looks like a pretty standard retroclone, but as I read it I found some little flourish, tweak, or minor redesign on almost every page of the game, most of which I will detail below.

You will see nothing different on the character sheet of the system: It uses the standard six ability scores, ascending AC, levels, AC, 1-axis alignment, and hit points. Like Swords & Wizardry it uses only one saving throw. Characters retire at level 10. The XP system is pretty standard and uses gp-for-xp. It's Encumbrance system is a bulk system similar to that in Castles and Crusades.

Instead of different hit points for the classes, all PCs and monsters use d6s for hit points, and gain hit dice at different rates: Warriors and Dwarves gain hit dice every level, Priests, and Elves at a rate of around 2:3, and sorcerers and halflings gain a mere 1d6 every 2 levels.

There is a lot ot like about Beneath the Sunken Catacombs if you are looking for a light, fas, well-contained TTRPG. I would consider it a solid contender as a TTRPG I might give to a kind looking for a first D&D-syle game. It is very well suited for introducing D&D4e or D&D5e players into the old school style of play. It takes the heart of some of the best ideas from that era and makes them work in a B/X structure very well.

My Punk-Ass Gen-X Take on the Whole WotC Debacle

 I am in the middle of moving house at the moment, which has forced me to neglect my blog, much to my frustration. Especially as so much has been going on in the hobby as of late. Especially with Wizards of the Coast doing their level best to alienate the Dungeons & Dragons fan base at every turn. I really only have one thought on WotC left with sharing. I might even sing it:

There's no vestige of beginning, no prospect of an end

When we all disintegrate, it will all happen again, yeah

If you came to conquer, you'll be king for a day

But you too will deteriorate and quickly fade away

And believe these words you hear when you think your path is clear

We have no control

We have no control

We have no control

We do not understand, you have no control

You are not in command

-Bad Religion, No Control 

(©️1989 Polypteric Records)

Or perhaps, "See you WotC, enjoy your decline!"

I am, by all accounts the quintessential Gen-X slacker, I have had almost no employment with big corporations and didn't enjoy the environment. I have spent most of my life working for myself. I am suspicious of Sentiment, but enjoy Beauty. I am cynical towards ads, news, and mass media, yet I tend to communicate and think in pop culture quotations. I prefer to DIY where I can. And nothing is cool until I can personalize the Hell put of it. I have no interest in plastic,  cookie cutter corporate bullshit or brand names. D&D as a stopped being interesting to me when it was clear that it had gone from a vibrant small community hobby to another Brand Name™️ a few books into 3rd Edition. 

I walked away long ago. I don't care about the logo on the book. I briefly got sucked in with 5th when it looked like they were trying to connect with the lost fan base. I saw the error of my ways after buying one sourcebook.

I don't buy books for the sake of collecting.  I don't care to have mounds of sourcebooks. I brew my own worlds.  And until I had to balance kids and a small business, I didn't use adventure modules. What books I do buy, I buy to hack or to review. And I buy very few. Most of my 5e collection were gifts.

You can't sell D&D to me.